Wednesday, December 17, 2008

Woman Series: The Color Purple

Copyright 2008-All Rights Reserved

When I identify as a Lesbian, the first thing that people usually want to know is what does your family think? The family. Or your friends. Or some aspect of my community.

These questions come up because people are aware of the social stigma associated with same sex attraction, with love between two people of the same gender. It's a stigma that grows out of socialization that that has trained us to take the attitude that only heterosexism, love between people of the opposite sex, is “right” and valued as good. The questions come up because of "learned" homophobia, the fear of and condemnation of same sex attracted people, both externalized and internalized. Homophobia is an ugly and toxic force to be reckoned with. One that is as destructive as racism, as sexism, as classism. Like the others, it thrives on ignorance and shame, on hatefulness and misinformation.

This past fall 2008 semester I taught an English Literature class. With this course, the instructor gets to choose the material and focus of the class. I decided to do a course I called “Out of the Closet: Literature by Black Lesbian, Bisexual, and Gay Authors.” This wasn’t the first time I’ve taught it. It’s always interesting. The students learn about writers and their characters—about people who have, more often than not, been “disappeared” out of literary courses and academic study. They learn, through the work of talented and distinguished authors, about what life is like, really, when you are bisexual or transgendered or lesbian or homosexual. They learn and I learn—as an author, teacher, and human being.

The first novel we discussed was The Color Purple.

One of the major themes that Alice Walker’s novel explores is love. Love across the spectrum or continuum of what humans know as love. Love between family members, between women as members of a sisterhood, love between men and women, and love between two women. Intimate love. What society would call Lesbianism.

It’s obvious that there is a deep relationship going on between Shug and Celie; they openly sleep in the same bedroom, the same bed with each other. To complicate matters even more, Shug would be labeled Bisexual because she sleeps with men…with Albert, Celie’s husband, and has children by him, as well as with Grady, for another. Another major theme, then, is sexuality…Bisexual and Lesbian sexuality.

And just what is the community’s, the family’s reaction to this relationship between Shug and Celie? In the novel, you might expect to find some family or community reaction, or homophobia, to Lesbianism, but the author does not explore the community’s reaction. Religious, community and family censure in the form of social stigma and homophobia does not come into play in this novel which is set in the early 1920’s in rural Georgia. The author does not explore it directly. What about internalized homophobia? That is self-hate, self-loathing because you are same sex attracted, because you are a same gender loving person. Well. The two Lesbian lovers don’t suffer from it. Shug certainly does not, nor does Celie.

I believe the author’s depiction of these two women argues against social stigma, homophobia, and internalized homophobia. Celie and Shug’s behavior, their attitudes about themselves and their love affair, their personal values and view of God and the world defy the negative… the internalized homophobia, the stigma, the ugly light that some would cast on a same gender loving relationship.

What’s valuable to me about this novel, about teaching it, about reflecting on its themes of love and of sexuality is this: I see Walker’s characters as open doors that invite us to walk out of one place and into another where we examine old ideas and redefine others.

The novel invites us to question: What are our philosophies, ideas, beliefs about what we call God? What is love? What do we value about love? Is it possible that God is love only when it comes to heterosexual love?

The novel invites us to rethink and reshape ideas that some believe are engraved in stone. Celie and Shug ask us, as readers, dare us to redefine our whole notion about love—what it looks like, behaves like, what we think about it, and our attitude toward it.

Love, Walker suggests, is the most precious thing. No matter what package it comes in. I agree.